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Corinth

Corinth

by | Jan 8, 2017

Corinth is certainly one font that should be part of any designer’s arsenal. Why? Apart from being perfectly legible, it is also perfect for when you want to add a bit of retro and hand-made feel to your message or logo. It pairs nicely with script letterforms,...
Aktiv Grotesk

Aktiv Grotesk

by | Nov 2, 2015

The Aktiv Grotesk family of fonts is modern variation of grotesque sans typeface. It may appear neutral, but that’s the beauty of it – you can combine it very nicely with some robust serif font types, plus they can easily be applied in various contexts (whether it be...
Glober

Glober

by | Oct 1, 2015

Glober is most certainly a font that’s versatile and legible in all of its variations and there are 18 weights for this font – equal number of upright letterforms and italics. What’s nice about it is that it supports both Latin and Cyrillic alphabets. Characteristic...
Botanica

Botanica

by | Jun 25, 2015

Botanica is a brush written font, inspired by current trends in font design. The font with its two types of initial and final swashes, plus elegantly connected mid word swashes looks a bit fairytale-like and it’s among the most popular and classic choices for wedding...
Pona

Pona

by | Mar 31, 2014

Pona, the simple typeface belongs to the classic serif family. The font is an elucidation of some of the most renowned serif fonts such as Goudy, Times, Georgia, and Garamond. Pona offers elusive letterforms in conjunction with a large x-height. It also circumscribes...